September 30, 2009 11:44 PM
One of the fascinating aspects of Brachot is the discussion of time in relation to prayer. While the traditional structure of praying three times per day theoretically constructs fairly constant communication with God (and, perhaps, constant participation in community, or constant redirection of a community's efforts and consciousness toward God), a discussion on Brachot 26a suggests that time-regimented prayer is far from being the singular goal of praying Shacharit (morning), Mincha (afternoon), and Maariv (evening). If one forgets to say Maariv, she can say the amidah twice in Shacharit, forgets Shacharit, she can say the amidah twice in Mincha. It's not as obvious what to do if one misses Mincha, because Maariv begins a new day. If one prays in the proper time, he earns 'schar tefilah bizmana' (the reward for praying in its time). If one forgets then prays two amidot at once, he earns 'schar tfilah' (the reward for praying) without 'schar tefilah bizmana (the reward for praying in the proper time).' Separate from the need to pray regularly, there is a minimum amount of sufficient communication with God in a day.
26b teaches that Abraham, Isaac, and Jacob established, relatively, Shacharit, Mincha, and Maariv. The rabbis see this in the text of Genesis, understanding one of each of their actions as prayer; through Abraham 'standing [implied by rabbis: before Gd],' Isaac 'conversing [implied by rabbis: with Gd],' and Jacob 'coming upon a Place (a term used at times for God)', they initiate our practice of communicating with and serving God through prayer. The fact that we begin the Amidah (standing prayer) by invoking God as "our God and God [as in relationship with] each Abraham, Isaac, and Jacob," is an invitation to relate to God in different ways. Despite the fixedness of modern liturgy, we remind ourselves of the unique form each of the Avot had for expression to the Divine.
I've been exploring the idea, particularly through dance (inspired by my chevrutah, Alex, and the Haitian dance ensemble at school), that, with kevanah (intention toward God), any practice can be in communication with God.